The Vow
A film about a guy, Leo (Channing Tatum), trying to make his amnesiac wife, Paige (Rachel McAdams), fall in love with him again after a horrific car accident has ‘weepy’ written all over it. This is perfect warm and fuzzy Valentines Day fare and why it wasn't released on Valentines Day alongside (or indeed instead of) This Means War remains a mystery. But it should be so much more affecting than it is given the subject matter. It is the single biggest judgment against this film that it failed to make me cry - and I am a movie crier!
Its core problem is its stereotypical characters and there is none more so than that played by Tatum. Leo is a ‘mere male’ who falls into all the traps a textbook, unthinking stereotypical male would, despite the pitfalls being obvious to anyone with half a brain and the slightest sense of empathy. Who, for instance, would bring their amnesiac wife, who doesn't even remember them, home from the hospital to a noisy party of forgotten friends? That is seriously the dumbest, most insensitive idea in the history of dumb, insensitive ideas. Not a great way to rekindle your marriage! And such episodes become tiresome and excruciating to watch. Admittedly he does belatedly learn from his mistakes. It also doesn't help that Tatum has more chemistry with his workmate (Tatiana Maslany) than he does with Rachel McAdams who is supposed to be his besotted soul mate.
It is, however, a nice performance from McAdams (she oh-so-nearly made me cry); she's effectively playing two parts and she keeps her two characters nicely and succinctly separate. Of course, she only has to smile sweetly with those puppy dog eyes and I go to jelly.
It's not an entirely horrible film but it largely falls wide of the sentimental marks that would have you bawling by the end. Stuart Jamieson www.thevow-movie.com
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